Having broken Kickstarter records with the fan-funded motion picture continuation of his cancelled television show, it was clear creator Rob Thomas wasn’t going to stop there, so his announcement that the next story would take Veronica Mars into the natural home of the private detectives who inspired her was no surprise. Written by Jennifer Graham from an outline Thomas had originally intended to form the basis for the movie had the production been realised sooner after the final episode, she has captured the feel of the show and the characters.
The train carriage is bleak, functional, barren of ornamentation and other life, yet still Simon James gives up his seat when asked by the stranger who appears out of nowhere, conditioned to be subservient and obedient, to not challenge. What he does not realise is that the stranger is his double, a conniving and opportunistic parasite who will inveigle his way into his life, his home, his workplace, claiming credit for his work, displacing him and emasculating him as all around are oblivious to his resemblance to the man who calls himself James Simon.
Perhaps it is no surprise that in the sixty years since the launch of Lego, it has permeated almost every corner of popular culture. As children, Action Man, Barbie and Dinky may have provided more accurate facsimiles for playmates or replicas of Thunderbird 2 and Eagle transporters, but Lego was adaptable and reusable, endlessly reborn as increasingly complex creations as the minds of the children using it grew in complexity and ambition, and unlike many cherished possessions now turned to rags and debris, Lego was practically indestructible.
Continuing our exclusive series of conversations with the creators of the Glasgow League of Writers and their resurrection of classic D C Thomson characters in brand new adventures featuring some of the great names from the history of British Comics, the past weeks have discussed the return of Invisible, Johnny Jett and the Scarlet Star, and this week writer Gordon Robertson, director of the 9th Art Award, and robot loving artist Cuttlefish tell us all about the joys of creating giant robots which smash things up as they resurrect the “remorseless tin demolition machine” which is the Smasher. Each strip appears in Comic Review, the digital version of Comic Heroes, the magazine dedicated to the world of comic books, and the Smasher will also appear in the next print edition of Comic Heroes.
When the war is over, what does a soldier do? In all the years since the first Great War, the complaint of soldiers returning to civilian life has been that readjusting and settling in a world of black and white choices no longer seems so clear, and in a modern world where to do good too often requires compromise, the pollution of white to grey causes problems for even super-soldiers. When the world is no longer black and white, how can anyone find their place in it?
On the sunny evening of Friday 23rd August, South African novelist Lauren Beukes was attending the Edinburgh Book Festival to talk about her acclaimed new novel The Shining Girls, and was gracious enough to spend a few minutes with Geek Chocolate to talk about that, Zoo City which won the 2011 Arthur C Clarke award, currently being developed as a feature film, her work in the world of comics on Fables and her love of women in comics.
If ever there was a brand in family entertainment which crossed generations, it is the Muppets, created by Jim Henson and coming to prominence first in Sesame Street in the late sixties then being given their very own Muppet Show in the mid-seventies with a roster of guest stars designed to draw adult audiences who would appreciate the wit beneath the slapstick which entertained their children, this led to a stream of feature film spin-offs adapting the self-referential theatrical variety show format for the big screen before reinventing themselves in two adaptations of classic stories in the nineties with The Muppet Christmas Carol and Muppet Treasure Island.
Now celebrating its 21st year, Edinburgh’s horror film festival returns to the capital this year over the last weekend of April, from the evening of Thursday 24th to Sunday 27th, with the continued promise of chills, bloodshed, shenanigans and inappropriate behavior. Previous years have seen the UK premieres of such major films as The Cabin in the Woods, Stake Land, Los ojos de Julia, Tucker & Dale vs Evil, Mother of Tears, Bubba Ho-Tep, Dog Soldiers and Pitch Black among many others alongside critically acclaimed debut features such as Jug Face and The Last Will and Testament of Rosalind Leigh, both of which were show in 2013.
It’s now less than a week until the opening events of Edinburgh’s International Science Festival, which this year runs from Saturday 5th to Sunday 20th April with a variety of events, talks, workshops, exhibitions, demonstrations and activities across the city. With a new hub at the beautiful Summerhall complex on the south side of Edinburgh’s old town, the festival still maintains a strong presence at the City Art Centre, the Royal Botanic Gardens and the National Museum of Scotland, and with the Field of Light installation having taken over St Andrew Square, the now traditional outdoor photography exhibit, this year titled Living Light, has been moved to the Mound Precinct, beside the National Gallery of Scotland.
The Glasgow League of Writers have been given permission to resurrect some classic, iconic, and some cases lost characters from the D C Thomson archives who will feature each week in the digital pages of Comic Review, the digital version of Comic Heroes, the magazine dedicated to the world of comic books. Gordon Robertson, director of the 9th Art Festival, continues his series of interviews with the creators behind the comics. Writer Sam Read took Red Star Robinson and evolved him into the Scarlet Star with a new setting, a new face and a whole new set of problems to deal with, though retaining the spirit of the original comic hero, something that Read feels makes this updated version closer to the original character than may actually be apparent on the first viewing. Alongside artist Leonie O’Moore, he tells us more about the project that they’ve brought back to life with the assistance of letterer Colin Bell.